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(This section contents taken
from architect Alberto Saldarriaga text published
in Guide of Bogotá by Legis)
City layout upon foundation corresponded to the
Spanish square model, which center and most important
public space was the plaza, the most notable imperial
Spain urban contribution. Throughout four and
a half centuries, city plazas or squares outstand
witnessing most significant events while acting
as attraction poles around which economic development
and community integration grew.
Blocks limited by straight streets were destined
to premises distributed inhabitants, and hierarchy
determined by distance or closeness to the plaza,
in the frame of which religious institutions,
Crown representation and notable people homes
were located. In the outskirts of the city land
–designated common land - were reserved
to community use, water supply and shepherding.
Initially Bogotá developed along Calle
Real del Comercio now Carrera Seventh, which linked
Plaza de Las Hierbas now Santander park, and Plaza
Mayor. San Francisco and San Agustín rivers,
natural foundation boundaries required bridges
construction, thus allowing for neighborhoods
communication while promoting expansion. Extreme
city points were Recoleta de San Diego to the
north, San Agustín convent and Santa Bárbara
church to the south.
Architecture built by Spaniards from foundation
in 1538 to 1819, is known by the name of colonial
architecture, which had three expressions: civil
architecture, religious architecture and domestic
architecture.
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Religious communities established in Santafé
from the XVI century promoted churches
and convents construction lodging their
members and students attending their schools,
received prayers who gathered for religious
services and feasts celebration. Churches
were built next to open spaces subsequently
becoming small squares.
For churches and convents decoration the
best masters, artisans and artists of
Santafé were contracted. The oldest
are La Conception and San Francisco, dating
back to the second half of the XVI century.
San Ignacio, from the first XVII decades
is the most beautiful Company of Jesus
church in the country keeping and extraordinary
collection of paintings and carvings from
the colonial period; Santa Clara was built
early in the XVII century and San Agustín
was finished by the second half of the
same century. La Tercera, built during
the second half of the XVIII century by
Third Franciscan Order, preserves an extraordinary
assembly of wood carving with no gold.
The Cathedral, projected by Fray Domingo
de Petrés capuchin monk construction
started in 1803 and was completed twenty
years later. Sagrario chapel and Casa
del Cabildo Eclesiástico, erected
on the eastern Bolívar plaza side
early in the XVII century form part of
cathedral assembly. La Candelaria, giving
the name to one of the oldest neighborhoods,
undoubtedly the most beautiful of the
city, preserves and important collection
of oleos from painters of the time.
San Francisco temple is the richest in
works of art. Treasuries include mudéjar
ceiling and lateral altars of the plateresc
style, chorus seats, the chapel and the
Immaculate chamber, the main altar and
retable covering the entire chapel up
to the groin arch. One of the chapels
lodges ancient Cristo del Humilladero
and very valuable paintings from renowned
painters. Also deserving mention Santa
Clara church now religious art museum,
El Carmen and La Bordadita chapel forming
part of El Rosario School, founded by
Fray Cristóbal de Torres in 1653,
and San Diego church built in 1607. Nuestra
Señora de Las Nieves, built by
conqueror Cristóbal Bernal in 1570
and destroyed by 1917 earthquake had to
be fully reconstructed. Santa Bárbara
dates back to 1581 and exhibits great
Vásquez de Arce y Ceballos and
Figueroa paintings.
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No civil architecture of importance was
built in colonial Santafé. The
Royal Hearing operated in rented houses
and the Viceroy Palace in a house acquired
from a former conqueror. Mint House –currently
Luis Ángel Arango Library Exposition
Room - was built in the second half of
the XVIII century and was the only civil
construction of importance.
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Colonial houses had one or two floors,
with continuous facades and eaves over
the street to protect pedestrians from
the rain. The main door opened on the
hall, a large corridor ending in the back
door leading to the house, distributed
around the first patio, which bordered
by a corridor provided surrounding rooms
and dining room sufficient light; in the
center a fountain and on sunny days the
meeting place.
The receiving room was located at the
front. Around the second patio domestic
work places and servants room, in the
back the yard to cultivate vegetables,
usually planted with some fruit trees.
Thick adobe walls, columns or straight
feet, wooden balconies, kneeling rails
and clay tile roof, called “española”,
were some domestic architecture characteristics,
one example of which is La Candelaria
neighborhood
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During the XIX urban grid consolidated
by construction in empty plots an premises
preserved from Colonial times. The city
expanded to the north and west thanks
to streets built during the Colony. The
tramway connected downtown and Chapinero
village. Railroad stations located on
old western alameda, subsequently Colon
Avenue, became expansion incentive in
that direction. Densification allowed
for providing houses to a larger number
of people with no need for neighborhoods
creation up to the second half of the
XIX century, and to follow trends of the
time old large colonial houses were remodeled
to match republican spirit.
Bolívar
Plaza in the XIX century
Old Plaza Mayor space transformed from
1846 when the name was changed to Bolívar
Plaza and new buildings were erected.
The first was the Cathedral, finished
in 1823 on eastern plaza side. In 1848
Arrubla Galleries were inaugurated, a
enormous three story building occupying
the western side; luxurious shops opened
their doors in the first floor and municipal
administration office occupied the second
floor. For National Capitol – Senate
of the Republic house – construction
the entire south side was reserved. Danish
architect Thomas Reed was responsible
for the project, and he managed neoclassic
language floor drawings design. Inaugurated
in 1926, 80 years after start. In the
north sector some colonial homes remained
while other of the republican style were
built and remained up to mid XX century,
when they were demolished to build the
Palace of Justice, currently completing
Bolívar Plaza frame.
XIX
century republican architecture
Late XIX century and early XX century
architecture is named republican for its
relation to first Republic century political
and cultural situation. Most representative
republican architecture works were promoted
by the State as government, administration,
assistance services and culture offices.
During the Colony the market took place
at Plaza Mayor; to clear the plaza, in
1861 the new Central Market construction
began, located in former La Conception
grove, where it remained up to 1950 when
it was demolished to give way to carrera
tenth.
Thomas Reed, National Capitol architect,
started building the jail known as the
Panóptico of Cundinamarca, with
a cruciform plant. Wide proportion spaces
allowed for adaptation in 1948 as National
Museum.
Late in the XIX century two large theatres
were inaugurated in Bogotá: the
Theater of Colón, built in former
Coliseum de Ramírez premises at
calle 10, projected by Italian architect
Pietro Cantini and inaugurated twice,
the first time before finishing the construction
and the second in 1895, when already finished.
Theatre architecture and decoration are
neoclassic. It has a large parquet where
during the first XX century decades elegant
dinners and gala receptions took place,
three floors for boxes and a gallery in
the upper floor. On the second floor façade
the foyer, interior republican architecture
jewel, conceived by specially invited
Italians. The Municipal theatre was projected
by Bogotá architect Mariano Santamaría
and inaugurated in 1890. The theater featured
theatre, dance shows, cultural events
of importance and in certain occasions
political journeys.
Republican
homes
First republican homes of Bogotá
resulted from colonial homes remodeling.
Late in the XIX century new house types
according to tastes, needs and life style
of Bogotanians fashioned. Large houses
built downtown kept the main patio and
corridor with surrounding rooms layout.
Main bedrooms were located in the second
floor and the first floor was used for
commercial stores and offices opening
to the street, and service quarters in
the back of the house. Originally Echeverry
Palace, currently Ministry of the Interior
offices, was a set of houses projected
and built early in the XX century by French
architect Gastón Lelarge, to whom
we owe Bogotanian domestic taste for French
trend.
In Chapinero sector a special home type
called “quintas”, were built
known at first as recreation homes to
later become permanently inhabited homes.
When their importance and size increased
the were named Villas. Some covered extensive
premises to the north of the city. One
example is Villa Adelaida residence of
Don Agustín Nieto Caballero, founder
of Gimnasio Moderno school located on
Carrera Seventh between calle 70 and 71.
Gastón Lelarge projected the Villa
assisted by Pablo de la Cruz. Currently
only one of those “quintas”
remains at the corner of calle 47 and
carrera 13.
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During the first fifty years Bogotá
grew lineally towards the north, with
disperse fragments linked by tramway routes
and all colonial trails converted into
urban streets. Between Bogotá and
Chapinero the first residential neighborhoods
imposing the new urban model were erected:
the continuous façade scheme was
discontinued and the house surrounded
by gardens model imposed. To the south
and west popular workers neighborhoods
began and voids left by growth took a
long time to consolidate.
During those years four important parks
were built: Independence Park, inaugurated
in 1910 to hold Century Industrial Fair;
Luna Park (1921) to the south and Gaitán
Park (1922) to the north with artificial
lakes and mechanical attractions. Olaya
Herrera National Park, (1934), became
the city garden, a place for citizens
to meet, and subsequently cultural, sports
and recreational activities site.
The decade of the 30s meant an important
Bogotá urban development landmark.
Austrian urbanism expert Karl Brunner,
arrived in the city in 1933, was the first
Municipality Urbanism Department Director.
He planned city expansion in several directions,
laid out Bosque Izquierdo, Palermo and
El Campín developments, and projected
Centenario and el Popular Modelo del Norte
workers neighborhoods. He was responsible
for Bogotá foundation Fourth Century
Work Plan, which included Vitelma water
treatment plant, the first modern water
distribution system and new streets construction:
Caracas Avenue on former north railroad,
Centenario Avenue to the west, Paseo Bolívar
on eastern hillside and Jiménez
de Quesada Avenue completion over San
Francisco river bed.
By government initiative in 1936 university
campus was organized to group National
University faculties disperse around city
downtown. A large plot located on the
western edge near the railroad –
now Ciudad de Quito Avenue - was used
for that purpose. Based on Fritz Karsen
pedagogic proposal Leopoldo Rother prepared
University Campus urban plan, the first
modern urbanism example based on a set
of independent buildings linked by concentrically
built streets. First buildings architecture
applied rationalist principles and ornament
deprived aesthetics, originating the White
City name preserved from that time.
In 1948, in preparation for the Pan-American
Conference, to take place in Bogotá,
Americas Avenue linking Techo airport,
built in 1930, and the rest of the city
was built, and adorned by sculpture works.
Following Jorge Eliécer Gaitán
murder on April 9, 1948, violent population
upraise ended in the destruction of a
large downtown portion. As a consequence,
reconstruction plans applying densification
and modernization standards emerged. Bogotá
urbanite trend was substantially modified
to start new urban development phase,
thus modifying habits and ways of life.
Republican
to modern architecture transition
Between 1900 and 1950 Bogotá architecture
transformed. Republican architecture was
first consolidated, the best constructions
of which period were those built in the
XX century. During a second phase republican
preference was abandoned to adopt the
British style, basically for north homes,
and during the third phase modern architecture
concepts and the respective construction
techniques application began.
Some of the most outstanding republican
buildings are the work of Gastón
Lelarge. One of them Liévano building,
built from 1904 on Arrubla Galleries remains
on Plaza de Bolívar western side.
Currently Mayor of Bogotá Township,
Palacio de la Carrera, now Casa de Nariño
and President of the Republic home, was
inaugurated 1908. Lelarge and Bogotanian
architect Julián Lombana took part
in that construction. San Francisco construction
began in 1917 and was completed in 1933;
Architect Arturo Jaramillo took part in
that construction. Initially occupied
by the Governor of Cundinamarca offices
and now Rosario University home.
British style was adopted late in the
decade of the 20s. Imported by Chilean
architects Julio Casanovas and Raúl
Mannheim, who applied it for the first
time in La Merced neighborhood, now historical
wealth of the city. Subsequently the style
propagated to Teusaquillo, La Magdalena,
Quinta Camacho, El Nogal and El Retiro
neighborhoods.
The National Library was one of the first
modern buildings. Projected by Alberto
Wills Ferro and inaugurated in 1938. Between
1936 and 1950 University Campus and some
of the best campus buildings were built:
those of Law, Architecture and Engineering
faculties, in which Alberto Wills Ferro,
Erich Lange, Ernesto Blumenthal, Leopoldo
Rother and Bruno Violi participated. Rother
projected the Print building, currently
the home of Architecture Museum named
after him.
By the mid 30s the first two city stadiums
construction began: Alfonso López
at National University campus, projected
by Leopoldo Rother, and the Municipal
near former El Campín hacienda,
by architect Luis A. Gutiérrez.
Inaugurated in 1938, by Bolivariano Games
part of Bogotá fourth century festivities.
For bullfights in 1936 Santamaría
Bull Ring was put to service but the facade
was only finished in 1948.
Cuéllar Serrano Gómez architects
and engineers firm, organized in 1933,
completed several modern works such as
San Carlos Hospital for consumption treatment
and the new San Juan de Dios hospital,
adjoining old Republican Hospital. Caja
Colombiana de Ahorros building was the
first 14 floor large street structure
built in Bogotá.
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This phase started thanks to urban experts
and architects generation graduated from
National University Faculty of Architecture
– the first organized in the country
– and their desire to modernize.
Those professionals took advantage of
destruction caused by April 9, 1948 uprising
to justify city urbanism reprogramming.
The presence of Charles Edouard Jeanneret
Le Corbusier, French urbanism exert architect,
who stimulated the project signaling the
importance of water flows crossing the
city, valuated eastern hills as the background
city curtain and implemented still current
preference streets system legally operating.
Demographic explosion however, overflowed
growth forecasts and the city had to reprogram
urban plans in response to pressure derived
from accelerated growth, giving rise to
dichotomy between the planned city and
the spontaneous city, a situation affecting
urban development in the second half of
the XX century and new millennium start.
Migrating groups started some sort of
urban settlement, invasion plots, pirate
neighborhoods and progressive homes construction
disregarding planning standards and absence
of essential services. To solve the problem,
government agencies assumed the task to
provide planned economic housing originating
substantial urban development in the city
outskirts: Territorial Credit Institute
promoted Unidad Vecinal de Muzú,
Antonio Nariño Urban Center and
Quiroga neighborhood early in the decade
of the 50s, while Kennedy neighborhood
developed during the next decade.
Banco Central Hipotecario covered low
and mid income sectors need for homes,
promoted numerous projects of great architectural
quality, such as Veraguas, La Soledad,
Polo Club and Niza neighborhoods and multifamily
condominiums located on carrera 30 and
calle 26.
Bogotá International Center was
projected for former Military School grounds
and other surrounding premises located
in San Diego sector. Complex building
started in 1960 and was completed twenty
years later. Those buildings, the highest
of the city, house State agencies, bank
and financial institutions, first class
hotels and commercial establishments.
Beer brewery land is now occupied by Bavaria
Central Park next to the International
Center, and includes offices and commercial
establishments.
In 1980 La Candelaria Corporation was
organized, and is currently responsible
for all cultural goods of interest property
of the Capital District and annexed municipalities’
functional nucleus. The Corporation is
responsible for protecting city historical
and architectural wealth, managing historical
downtown, promoting public space and buildings
intervention, supporting and developing
cultural activities.
New
urban developments
Nueva Santafé housing project formed
part of a revolutionary urban renewal
plan promoted by Banco Central Hipotecario
between 1983 and 1989. Project building
required old Santa Bárbara artisan
neighborhood located to the south of historical
downtown partial demolishing. To the south
of the city Banco Central Hipotecario
built El Tunal neighborhood, large apartment
complex destined to average income families,
using solar heating system for the first
time. In 1938 Ciudadela El Salitre construction
began on a former hacienda land, located
on the current geographic center. Intensive
building activities take place in the
area generating new business centers,
housing complexes, a recreational park,
church, mall and Maloka Interactive Center.
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